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STUTTGART — HOW TO WEIGH INDOOR CLAY?

Saqib Ali

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Matt Zemek

The week of WTA coverage at Tennis With An Accent began with an attempt to capture the meaning of Maria Sharapova’s loss to Caroline Garcia on Tuesday in Stuttgart. Sharapova has used indoor clay — a different beast compared to the outdoor stuff in Rome and Paris — to kick-start a monster clay season multiple times. She won Stuttgart in 2012, 2013 and 2014. In each of those clay seasons, she then made the Roland Garros final. For Sharapova, the good start of Stuttgart was an essential ingredient in a clay victory buffet.

Then came 2015, 2016 and 2017.

In each of those years, a German rode momentum and adrenaline to a title in front of an appreciative home-nation crowd. Angelique Kerber won the title in 2015 and 2016. In 2017, when Kerber fell off the map, Laura Siegemund was able to keep the Stuttgart trophy in Germany by winning the tournament. Siegemund lost to Kerber in the 2016 final. 

Despite Sharapova’s three-year run in which Stuttgart success began a path to Parisian prominence a few months later, Stuttgart finals have not been strong indicators of future clay form for both finalists. The last Stuttgart final in which both players made the quarterfinals or better at Roland Garros was 2009, when Svetlana Kuznetsova and Dinara Safina previewed the French Open final. In 2010 and 2012, one of the two Stuttgart finalists made the Roland Garros final while the other reached the fourth round, but this decade has not yet produced a Stuttgart final in which both women reached the round of eight in Paris.

For Sharapova, Stuttgart can reasonably be viewed as an indicator of where she is on clay. For others, the same assertion is harder to back up. This is why Sunday’s final between CoCo Vandeweghe and Karolina Pliskova is far more likely to represent an aberration than a first step in a natural progression through the month of May and the lead-up to Roland Garros. 

Vandeweghe — a person known for speaking bluntly and without subtlety — made no secret of the exhausting nature of clay-court tennis according to her own perspective. Stuttgart has given her an indoor oasis in which she doesn’t have to fight the sun on the ball toss on her serve. The tournament’s quick conditions have enabled her to hit through the court and not get roped into long, overwhelming rallies. 

For Pliskova — who made the semifinal round of the WTA Finals in Singapore last autumn — indoor tennis also represents a welcome departure from tougher (hotter) outdoor conditions. On Saturday in the semifinals, Pliskova’s indoor comfort zone was enhanced by the fact that her opponent, Anett Kontaveit, had played roughly seven hours of tennis in her previous three matches, and just under three hours in a Friday quarterfinal win over Anastasia Pavlyuchenkova. Pliskova has played the right players at the right times in the right conditions this week. It is therefore easy to discount her Stuttgart run relative to Rome and Paris.

Yet, the common threads between Vandeweghe and Pliskova — which seem so obvious on the surface — do not mean these are identical clay-court players. If CoCo has little appetite for extended combat on crushed red brick, Pliskova is the opposite. No, Pliskova is not a track star who will suddenly become a taller version of Simona Halep or Elina Svitolina on terre battue, but she showed last year that if weather conditions are not too hot, she is happy to put in long hours. She rarely played her best tennis but won a pile of three-setters to make the French Open semifinals. The weather in Paris was mild and at times cool before the championship match (between Halep and Jelena Ostapenko) became a broiling, sun-drenched duel. Pliskova’s loss in the semis to Halep prevented her from playing in that match, but as long as the Parisian sun wasn’t intense, Pliskova showed she could solve problems on a slower surface.

Amazingly, that French Open gave Pliskova her only major semifinal of the year. The fact that Pliskova made only one major semi in 2017 isn’t the mind-blowing component of that statement; the fact that the only major semifinal came on clay last year is the plot twist. 

Vandeweghe and Pliskova therefore are not carbon copies of each other. They do have a lot in common, and the first set of their 2017 U.S. Open quarterfinal (won by CoCo) was razor-close. Pliskova had a set point, but Vandeweghe saved it and won a tiebreaker, 7-4. Yet, their similarities contain limits. Pliskova has shown more of a capacity for handling the contentious components of clay-court combat. If one wishes to compare these players strictly in terms of resolve, Pliskova would merit a noticeable advantage.

Yet, Stuttgart’s quick indoor conditions might turn this match into a first-strike bonanza, such that Vandeweghe’s best tennis attributes will continue to be rewarded, as they have all week. The advantages Pliskova has in this matchup are real… but Stuttgart might not allow them to show up.

It is fascinating purely from a tennis connoisseur’s perspective: One player (Pliskova) has reached a major final and a Roland Garros semifinal. The other (CoCo) made two major semifinals in 2017 and came within one win of making a third (at Wimbledon). Why, then, does this Stuttgart final feel like such a surprise?

The difficulty of being able to weigh the value of indoor clay is one Weghe to answer that question. We will see how much these weights and measures carry during Sunday’s championship match.

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Image taken from Zimbio.com

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Roundtable – WTA Major Showdowns in 2019

Matt Zemek

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Robert Deutsch - USA TODAY Sports

What is the one WTA matchup you really want to see at the major tournaments in 2019?

JANE VOIGT — @downthetee

The unrivaled match of the U.S. Open was a fourth-round encounter between Naomi Osaka and Aryana Sabalenka. It was the only match of Osaka’s tour de force in New York that went three sets. Osaka, up against what could be described as a mirror image of herself in Sabalenka, broke through a wall of competition that day she hadn’t been asked to do in three prior rounds and, perhaps, her career. This was a match that could have defined Osaka in unflattering terms, so the burden of victory lay at her feet.

Sabalenka, also 20, is, like Osaka, a woman at the threshold of a promising career. She arrived at the Open having won her first title at the Connecticut Open. Her powerful groundstrokes compared equally to those of Osaka. Their serves were weapons. Their on-court intuition was honed. Thinking back to that Labor Day encounter, the meeting feels like a sign of things to come. Another matchup between them, this time at the Australian Open, could confirm a budding rivalry that is much needed on the WTA Tour. It would be an ideal start to the 2019 Grand Slam season.

ANDREW BURTON — @burtonad

There have been two constant features in the WTA since 2008: Serena Williams, if fit, is an excellent bet to go deep in a big tournament; hardly anybody else is.

There was a period between 2011 and 2013 when Viktoria Azarenka looked like she might establish herself as the next bankable player, when she competed in 7 semifinals out of a possible 10 major tournaments. But the 2013 U.S. Open marked the last time Azarenka went deep in a major.

To my mind, this has deprived the WTA of part of the lifeblood of the sport: compelling new rivalries. To take one example, Caroline Wozniacki and Simona Halep, then 27 and 26 respectively, met in the 2018 Australian Open final as the No. 2 and No. 1 seed respectively, but were playing each other for only the seventh time. (The woeful WTA site lists a 0-0 head-to-head record. Can’t they afford decent programmers?)

Sloane Stephens, last year’s U.S. Open winner, and Naomi Osaka, the 2018 champion, have met only once to date – in Acapulco in 2016. Stephens came out on top then, 6-3, 7-5. I’d like to see Osaka’s confident shotmaking against Stephens’ superb measured defense and length of shot in 2019 – and have that be one of a suite of excellent new rivalries in the women’s game.

MERT ERTUNGA — @MertovsTDesk 

When answering this question, I am assuming that both players are in-form, because I am interested in the challenges the particular matchup brings to the table. With that in mind, the one matchup I would like to see is Madison Keys versus Simona Halep at the U.S. Open.

These two players have not faced each other since 2016 and never on U.S. soil. Thus, Halep’s 5-1 lead (including the walkover in Rome this year) does not mean much, considering that Keys has improved by leaps and bounds over the last two years. Let’s also keep in mind that Keys has shown great form at the U.S. Open, reaching the final in 2017 and semifinals in 2018, losing each time to the eventual winner. It is her favorite major of the year, probably the one where she dreams of making her big splash.

With Simona’s wonderful footwork and Madison’s high-octane striking, played possibly on what could be called “Madison’s turf,” this matchup promises high-quality tennis. Naturally, the speed of the surface will matter. If the snail-pace surface of this year still lingers in 2019 (I hope not), we could have long rallies in which Keys would need to take bigger cuts at balls to put the ball past one of the best movers in women’s tennis in the Open Era (Arantxa, I have not forgotten you).

This is also a baseline challenge for Simona, who would need to rely on what I believe to be her biggest source of improvement from the baseline, which is the ability to change the direction of the ball as well as accelerate. In the past, her backhand down the line was a step ahead of the other patterns in terms of changing direction and accelerating, but the current version of Halep is able to do that from anywhere on the court.

This matchup would push each player to dig deeper in their manuals of problem-solving. Two examples: Keys would need to put her drop shots to use in order not to let Halep get too comfortable at the baseline. Simona would need to pay special attention to her first-serve placement in order not to let Madison unleash from the first ball of the rally on her serves.

Hopefully, each will get to the end of August without having suffered any serious injury, ready to launch a title run in New York.

BRIANA FOUST — @4TheTennis

Since Serena won her 23rd major, the slams have been a free-for-all on the women’s side, but the WTA has still not produced a consistent rivalry during that time frame. There has not been a case of two women pushing each other at majors since Serena Williams and Victoria Azarenka during 2012 and 2013. One matchup I want to see more of from the WTA at major tournaments in 2019 is Simona Halep versus Sloane Stephens.

These two have the perfect ingredients for a compelling rivalry: close in age, popular major champions, still improving their styles of tennis, and they are both competitive on all surfaces. Their final in Montreal this year was inspiring to watch as a tennis fan. Halep and Stephens used every shot in the book and every inch of the court in trying to outmaneuver the other.

That match reminded me a lot of Rafael Nadal and Novak Djokovic during the 2010-2012 period. To me that was the zenith of their rivalry, which culminated in the six-hour 2012 Australian Open final, but during those years we saw those guys push each other to their absolute limits while reimagining what could be possible on a tennis court. I think Halep and Stephens have the potential to do the same.

MATT ZEMEK — @mzemek

Venus Williams-Garbine Muguruza at Wimbledon in 2017 gave us a very compelling first set before Muguruza ran away with the second. Serena Williams-Naomi Osaka at the 2018 U.S. Open was a fascinating match until YOU KNOW WHAT happened.

In 2019, I would love to see another major-tournament matchup, ideally a semifinal or final, between two players with at least a 10-year age gap between them.

In 2018, one week before winning her first Wimbledon and her third major, Angelique Kerber calmly dissected Naomi Osaka in the third round on Centre Court. Osaka was recovering from an abdominal injury she suffered in the grass warm-up season, so she was not in prime position to mount a challenge to Kerber. Maybe the next time, that matchup could sparkle on grass, but an element of mystery has been removed from it.

Let’s try the other 20-year-old on the WTA Tour who made a splash this past summer: Aryna Sabalenka. Let’s see her face Kerber on Wimbledon laws next year.

I don’t like to predict big riches and successes for very young players until I see “the moment,” the loud and thunderous statement which makes greatness too overwhelming to ignore. Sabalenka certainly impressed in Cincinnati, New Haven and New York, but Osaka captured “the moment.” I would love to see Sabalenka – tested by the WTA Tour in the first half of 2019 – make her way to the All-England Club as a target, which did not apply to her 2018 visit. That trip to SW19 was cut short in round one by Mihaela Buzarnescu.

If Sabalenka makes a deep run at Wimbledon in 2019, she could take the place of Jelena Ostapenko in 2018. Ostapenko met Kerber in a young-versus-old semifinal, and Kerber found the consistency needed to short-circuit the always-aggressive Latvian. Sabalenka hits big, but she shows signs of being able to play with more margin than Ostapenko does.

Imagine three sets of Sabalenka slugging versus Kerber court coverage. Oh, yeah.

You know you want it.

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HALEP AND THE CINCINNATI PRINCIPLE

Matt Zemek

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Cincinnati is one of the more disjointed and attritional tournaments on either tennis tour. The fact that it comes in the second half of the tennis season, the week after a challenging tournament in Canada, offers considerable reinforcement of that claim. The added details of recent years have only made this tournament even more physically and mentally demanding. In 2016, the Rio Olympics had been sandwiched between Canada and Cincinnati, making it very hard for a lot of pros who had gone to Brazil to then fly to Ohio and compete. Last year and this year, rain caused multiple participants to play multiple matches on the same day. These were not normal situations with normal conditions.

The question had to be asked after the 2016 and 2017 Cincinnati WTA tournaments, and it has to be asked now in 2018: Will Cincinnati results carry over to the U.S. Open? Will they be indicators or aberrations?

In 2016, the tournament was an indicator: Karolina Pliskova beat Angelique Kerber in the Cincinnati final. The two met 20 days later in the U.S. Open final, with Kerber pulling out a riveting three-set victory. In 2017, the needle moved in the direction of aberration. Of the eight Cincinnati quarterfinalists last year, only two — Pliskova and Sloane Stephens — made the U.S. Open quarterfinals. Only one, Stephens, made the semifinals or better.

Now we arrive at 2018. More rain, more double matches in the same day, more weary players. Petra Kvitova was tired and worn out in the searing hot sun on Saturday in the semifinals against Kiki Bertens. Simona Halep was able to play four full matches to make the final and then two full sets in the final, but she didn’t have a third set in her after playing two extended weeks of hardcourt tennis in North America. Kiki Bertens played legitimately strong tennis to win the championship in Ohio, but she was also the fittest player in the field while others battled combinations of fatigue (Stephens) and injury (a heavily-bandaged Elise Mertens).

Will Cincinnati be a positive indicator for the U.S. Open? Keep in mind that Elina Svitolina’s Rome championships before the French Open have not been indicators at Roland Garros. Kvitova’s titles in grass warm-up events have not carried over to Wimbledon. Caroline Wozniacki’s Eastbourne win this year did not mean much at Wimbledon. One could make the argument that a full week of tennis hurt her Wimbledon prospects.

Where does this leave us before the U.S. Open? Everyone will be wondering if Bertens can carry her dramatic rise into and through New York, but there isn’t any precedent for her in the Big Apple. Defending champion Sloane Stephens didn’t last long in Cincinnati, but her run in Montreal reaffirmed her status as a leading contender, so she doesn’t fall under the banner of “a Cincinnati test case” in Flushing Meadows. Kvitova has never made a U.S. Open semifinal, regardless of Cincinnati results. What she does in New York exists on its own terms.

No, the best test case of Cincinnati is the woman who came one point from winning it and becoming the first woman to win the Canada-Cincinnati double since 1973: Simona Halep.

The Romanian carried her Cincy performances to New York in 2015 and 2016. In 2015, she made the Cincinnati final and the U.S. Open semifinals. In 2016, she made the Cincy semis and the U.S. Open quarters. Her Open quarterfinal loss to Serena Williams was a high-level match played with the polish and ferocity of a final. In 2017, the road took a turn, but not in a normal way. Halep made the Cincinnati final again, only to lose in the first round at the U.S. Open. The twist, though, was that Halep drew an unseeded Maria Sharapova in round one, and Sharapova proceeded to play a terrific match, aided by ample rest which Halep — in marked contrast — did not have.

This piece is being written before the U.S. Open draw, so we don’t know what surprises might await Halep, but let’s say for the sake of argument that there are no unusually bad draws (Serena Williams before the quarterfinals) for Simona. If she doesn’t receive unusually awful luck with her path through the bracket, this year will enable her to say that last year was a rare bolt of lightning.

If, on the other hand, Halep gets a manageable draw and still stubs her toe — as she did against Hsieh Su-Wei at Wimbledon — she will leave New York with a bitter taste, and her Cincinnati foray, in which she overcame fatigue to nearly win the tournament, will be forgotten for how impressive it was.

What happens in Vegas stays in Vegas, it is said. What happens in Cincinnati might stay there, or it might travel to New York. Simona Halep is certainly hoping for the latter answer, and she will soon get the chance to speak with her racquet at the USTA National Tennis Center.

Image – Aditya Prabhakar(Tennis with an Accent)
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KIKI BERTENS REWRITES HER STORY

Saqib Ali

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Matt Zemek

Kevin Anderson waited until after turning 30 years old to make two major finals and change the way he and his career will be remembered. Kiki Bertens didn’t write a story with that same level of drama. The WTA pro from The Netherlands is only 26. What you are seeing from her is not a late-autumn period of renewal.

Yet, this isn’t an early-spring tale, either.

Bertens turned 26 without a single non-clay tour-level final to her name. She was, by any reasonable measurement, a clay-court specialist, with five finals. Beyond the surface-specific limitations which had defined her career entering 2018, Bertens had also not made a final at any level higher than the WTA International Level. When she DID break through that barrier, she did so in Charleston, a Premier tournament which is held the week after Miami at a time when a lot of tour players rest in advance of the European clay swing… and some of the quality players who remain (such as Indian Wells champion Naomi Osaka) are toasted after the heavy lifting they do on American hardcourts in March.

It was only in May, in Madrid, that Bertens reached a final of great consequence, coming within an eyelash of a first Premier Mandatory championship before Petra Kvitova took it away from her in a quality match. On that night in Spain, the mild conditions helped Kvitova, whose staying power is often related to how comfortable the weather is. The story was very different in this past weekend’s Cincinnati semifinals, but the point to underscore is that no one thought during clay season that Bertens was about to become a strong all-surface player. She needed to work hard — and as I wrote here, overcome a big disappointment — to get to this point. She had to absorb the sting of losing early at Roland Garros in a year when her level of form had never been better.

When Bertens went to Wimbledon and carried the baggage of her setback from Paris, her name was not on the radar screen for anyone interested in “players likely to make a second-half charge in the tennis season.” Bertens had lost in the first round in most of her Wimbledon and U.S. Open appearances. She had lost in the first round at those two majors in her last three main-draw appearances, four of the last six, and seven of the last nine.

Beyond the majors, consider this statistic about Bertens: Entering 2018, she had never gone beyond the third round at ANY non-clay tournament of significance — not the three majors other than Roland Garros; not the three Premier Mandatory events other than Madrid (Indian Wells, Miami, Beijing); non the four Premier 5 events other than Rome (Doha/Dubai; Canada; Cincinnati; Wuhan). The consistent barrenness of Bertens’ resume at non-clay tournaments was so striking and pervasive that Bertens could have easily conceded her place in the sport.

Bertens, like the Beach Boys in 1966, could have played a song titled, “I Just Wasn’t Made For These Times.” She could have done what 31-year-old Fabio Fognini or 24-year-old Dominic Thiem did in the summer: play the clay events right after Wimbledon and feast on rankings points from smaller tournaments on her preferred surface, thinking that bigger-point hardcourt events just weren’t suited for her. She could have gone down that road.

She could have told herself that her story in tennis had already been written, and that nothing was going to fundamentally change it. Improving on clay, maximizing opportunities on that surface, could have become her sole focus. She wouldn’t have been the first player to go down that road, and as Thiem (a younger person) is showing, she wouldn’t have been the last.

Instead, Kiki Bertens crumpled up the piece of paper in the typewriter, threw that paper in the recycling bin, got a new piece of paper, and started typing a new story.

She won a match against five-time champion Venus Williams at Wimbledon, fighting through constant scoreboard pressure to outlast a legend of the sport. That was a match Bertens would have lost in any previous year of her career, but this time, she did not. That result awakened in Bertens a fresh sense that she could achieve richly on a surface other than clay. She moved to her first Wimbledon quarterfinal and came within a set of the semis before a good friend on tour, Julia Goerges, edged her and reached the semifinals.

Bertens could appreciate what Goerges went through. The German had never made a major semifinal until Wimbledon, and Goerges waited until age 29 to finally knock that door down. Bertens had grown at Wimbledon, and part of that growth included the ability to see life and tennis through the prism of a friend’s achievement. Bertens could see how much harder it was — how much longer it took — for Goerges to reach new heights.

Bertens didn’t chase clay points the way Fognini and others did in late July. Like a player who believed she could be great in important tournaments, she rested three full weeks before Montreal. She made the quarterfinals there, her first quarterfinal at a hardcourt Premier 5 or higher tournament. She could have been satisfied with that and let down her guard in Cincinnati. No one would have held it against her, either.

Once again, instead of doing the easy thing or settling into a comfortable posture, Bertens pushed herself.

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Image – Aditya Prabhakar(Tennis with an Accent)

Her tennis was legitimately strong in Cincinnati. Her increased weight of shot early in the second set in Sunday’s final against Simona Halep turned around a match the World No. 1 had dominated in set one. Halep could not have played any better than she did in the first set, and in the face of the Romanian’s onslaught, Bertens could have yet again accepted the circumstances which seemed to be enveloping her.

The new Kiki Bertens, one more time, defied the past and its patterns. She hit a lot harder and sent a loud message to the other side of the net. Bertens’ aggressive plan didn’t always work, but it was enough to carry her into a tiebreaker. It was enough to save match point on her own serve at 5-6 in that tiebreaker. It was enough to elicit nervous errors from Halep in the final two points of that breaker. It was enough to gain control early in the third and set own the run of play while Halep’s previously solid forehand finally broke down.

Bertens has married power and purpose, precision and persistence, in the American Midwest. Her championship in Ohio was built on equal portions of shotmaking quality and sturdiness. She was the fitter play on court in sun-drenched matches against Kvitova (in conditions very different from Madrid) and Halep (worn out after two full weeks of tennis) in the semifinals and finals this past weekend. Bertens held her nerve in big moments and showed the agility to change her plan when necessary. She checked every box a tennis player can check — physical fitness, mental composure, tactical agility, and forceful strokes.

No one expected this story to be written, but this is the story we have as we leave Cincinnati. Kiki Bertens, who once had feet of clay on any surface other than clay, has now put deep roots into Wimbledon lawns and cemented herself as a presence on hardcourts, one which could make a big run at the U.S. Open.

This is a Dutch treat for a whole nation, but it is most centrally satisfying for an athlete who could have resigned herself to a modest and quiet status in tennis but found a way to push for more. That is a lesson players of every age can learn from. It is a lesson which produced the Cincinnati WTA champion for 2018.

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