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WTA Finals Field Finds its Great 8 — but Uprooting Might Still Occur

Matt Zemek

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Presse Sports -- USA TODAY Sports

The cover photo for this story features the player I think is the favorite to win the 2018 WTA Finals — Caroline Wozniacki — and a woman who might not even play in the event: Simona Halep.

Unless Halep’s attempt to gain another week of recuperation time leaves her body in a reasonable position to compete at full speed (or something very close to it), she won’t be able to make it through the full round-robin series of three matches in Singapore. Kiki Bertens will definitely be on hand as the first alternate. The chances of her playing at least one match are fairly reasonable.

Yet, for the moment, the eight-player field has been set after Wednesday’s results in Moscow: Wozniacki and Halep will be joined by Angelique Kerber, Naomi Osaka, Sloane Stephens, Petra Kvitova, Elina Svitolina, and Karolina Pliskova. The Svitolina and Pliskova berths in Singapore were locked up on Wednesday when Bertens lost to Aliaksandra Sasnovich.

You might be surprised to see that Svitolina made her way into Singapore, given her struggles for much of this year. However, in the midst of those struggles, she quietly made a semifinal appearance in Montreal, a quarterfinal in Cincinnati, and a round of 16 at the U.S. Open. Those are not terrible results, but the reality that Svitolina was viewed as a co-favorite or (at worst) the No. 2 choice behind Halep to win Roland Garros nevertheless paints a portrait of decline for the Ukrainian. Precisely when it seemed she was ready to claim her moment and make a major final — if not win it — she lost in the third round of Roland Garros to Mihaela Buzarnescu. After that point — not even in Montreal — she never offered the appearance of someone ready to win big tournaments again. Stephens handled her fairly easily in the Montreal semis, and that was as close as she got to an important trophy since Paris in late spring.

Svitolina nevertheless banked points at the various stages of the season: quarterfinals at the Australian Open, a successful defense of her Rome title from 2017, and then the summer hardcourt run. Those modest but decent results don’t belong to a top-tier championship contender, but they do belong to a WTA Finals participant. The players Svitolina beat out for a Singapore slot — chiefly Bertens, Anastasija Sevastova and Julia Goerges — lost too many times in the very early rounds of majors this year. Had those three players complemented their strong 2018 seasons by winning two to four more matches at the Slams, Svitolina might not be headed for Singapore… but she is, and she earned it.

Svitolina is one notable story in Singapore, given the reality that her 2018 didn’t rise to her expectations. Svitolina underachieved in 2018 yet still made the WTA Finals. That is impressive in its own way and an indicator of what she is still capable of if she adjusts to her physical changes and rediscovers a more potent way of playing.

The other story I find particularly notable among the eight WTA Finals participants: Naomi Osaka.

How could it be anyone else?

Halep, Wozniacki, Kvitova, Kerber, Stephens, and Pliskova do not represent surprising stories as WTA Finals qualifiers. The first five players on that list are major champions and have proven themselves at the highest tiers of the sport. Pliskova doesn’t have quite the same credentials but has shown that she can put together seasons loaded with quarterfinal appearances in important tournaments. That is admirable and, more to the point, a reliable path to a year-end championship event if the rest of the tour is inconsistent.

Osaka stands out from those other names. Much like Aryna Sabalenka but to a noticeably greater degree, Osaka burst into stardom on the WTA Tour this year. It was very reasonable, heading into the U.S. Open, to think that her Indian Wells championship was going to remain the signature accomplishment of her year.

This is no criticism of Osaka — it is merely a reflection of life on tour for a young player who wins a big tournament. Expectations rise. Demands on time increase and become more complicated. Most of all, the rest of the tour sharpens its focus. These and the added strain of injuries all weighed down Osaka after Indian Wells. Kerber took advantage of injury-based rust to blitz Osaka in the third round of Wimbledon, a match which looked so promising on paper but became uneventful one-way traffic for the German who then won the title a week later.

No one would have blamed Osaka for being unable to rediscover her Indian Wells formula in the latter half of this season. No one (at least, no one who was being reasonable) would have tut-tutted about her failures after Indian Wells as a revealing flaw or an alarming development. No, Indian Wells made 2018 a success for Osaka. The reality of having to back up a big result is regularly challenging for young players (see, “Ostapenko, Jelena”). Adjusting to new realities often occurs in the context of years and whole seasons, not merely six-month segments.

Osaka, then, showed so much about herself as a tennis player by not only winning the U.S. Open, but winning it so authoritatively. Her one especially tough match came against Sabalenka, the other player making a meteoric rise up the ranks on tour. How Osaka then handled the firestorm involving Serena Williams and Carlos Ramos in the U.S. Open final showed that her immense racquet skills are complemented by a level head. Osaka did a lot of growing up this year, and as a result, she was able to collect two of the sport’s most important trophies at the opposite ends of the season — one in March, the other in September.

If Svitolina showed that one can underperform relative to expectations yet still remain near the top tier of the sport — which is, again, a laudable feat in its own context — Osaka impressed this season not only because she soared, but because she soared AFTER taking several punches and being forced to deal with the interruptions and derailments which commonly visit athletes in their quest to sustain excellence.

The WTA Finals field is impressive all the way through. The next question is whether Simona Halep will be able to play the whole tournament, or whether Kiki Bertens, the author of her own resplendent season, will get at least one chance to continue that season in Singapore.

More on the WTA Finals at Tennis With An Accent once the groups and round-robin matchups are unveiled.

Matt Zemek is the co-editor of Tennis With An Accent with Saqib Ali. Matt is the lead writer for the site and helps Saqib with the TWAA podcast, produced by Radio Influence at radioinfluence.com. Matt has written professionally about men's and women's tennis since 2014 for multiple outlets: Comeback Media, FanRagSports, and independently at Patreon, where he maintains a tennis site. You can reach Matt by e-mail: mzemek@hotmail.com. You can find him on Twitter at @mzemek.

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Agnieszka Radwanska Gave Tennis a Vivid Visualization of Variety

Matt Zemek

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Geoff Burke -- USA TODAY Sports

Women’s tennis is in a very good place these days. Quality, depth, youth, competitive chops — they exist in abundance on a WTA Tour which has made the notion of an “easy draw” almost unheard of in 2018. Within this environment, Agnieszka Radwanska has found it hard to endure. That’s no criticism of her. Every athlete has a different shelf life, and Radwanska — who won her first WTA Tour title in 2007 at the age of 18 — enjoyed more than 10 years in the big leagues. That’s not exactly a brief career, even if Radwanska ended it on Wednesday at the age of 29.

Radwanska was a fixture in women’s tennis this decade, a regular presence in the sport’s most important tournaments until very recently. She never did chase down the major title Caroline Wozniacki and Simona Halep nabbed, but her legacy will be much greater than any attempt to bean-count tournaments won or lost.

Radwanska — playing in the late-career golden age of Serena Williams — picked the wrong time to be a thriving professional tennis player in the heart of her prime. If she had been born a few years earlier or later, she might have had better chances to win more of the most prestigious tournaments in the sport. As it is, she still battled Serena well in her one major final, the 2012 Wimbledon championship match which went to a third set. Radwanska was still relevant in 2016, making the Australian Open semifinals before Serena played her best tennis and defeated Poland’s 21st-century tennis star.

A 2015 WTA Finals champion and a five-time Premier Mandatory/5 winner, Radwanska — once the World No. 2 player at the height of her powers — did more than merely survive on tour for roughly a decade. No, she didn’t quite conquer the sport and lay it at her feet, but she made a very comfortable place for herself on a tour which did not play the way she played.

Radwanska carved out her own path, a reality which should serve as a lesson to younger players today.

Yes, Angelique Kerber drop-shotted Serena to death in the Wimbledon final. Yes, Magdalena Rybarikova made an out-of-nowhere run to the 2017 Wimbledon semifinals. Yes, Timea Bacsinszky has reached the Roland Garros semifinals. There are terrific practitioners of all-shot excellence in women’s tennis who have used their deft touch and clever play to achieve well… but Radwanska is the foremost exemplar of this way of being. She got more mileage out of it than her peers who tried the same approach.

Ultimately, Radwanska is the best embodiment in modern women’s tennis of how far variety can carry a player in what is often a cookie-cutter sport.

Women’s tennis is very healthy, as I noted at the start of this piece. Yet, when considering how it could become even better, an answer which always rises to the surface of consciousness is the addition of more variety into rallies.

So many women’s tennis matches put the ball on a string. Forehands and backhands, hit hard and consistently and well, from two players who move laterally just behind the baseline, create powerful and involving exchanges. The drama is considerable and the intensity unmistakable… but are the two players using the best, most direct route to winning a point? Not all the time. When two players are on the same level in terms of talent or the present day’s form, it makes sense to want to trade punches and see if your strength is stronger than your opponent’s strength. The natural and sound logic behind that approach is obvious: If you can break down your opponent’s strength, you win every important battle in a match — the tactical battle, the mental battle, the physical battle. If you are on even terms with another player and you think your strength can win the day, sure, go for it. That’s smart.

When variety comes into the picture is when the other player is more talented or — if not necessarily TALENTED — physically imposing. When you know another athlete has a higher ceiling of skill and potential and is demonstrating the capacity to actualize said potential, you can’t go blow for blow with that superior game. You, as the opponent, have to find ways to disrupt that superior game and get the better athlete to hesitate, doubt and overthink.

Tennis, like baseball, is a sport played with a stick the athlete swings in order to hit a ball hard. In baseball, the old saying is that “Good pitching stops good hitting.” Pitchers try to throw pitches at speeds and locations which cause talented hitters to hesitate, doubt, and overthink. The hitter who is comfortable will hit the ball hard and squarely. The hitter who is uncomfortable will still hit the ball, but not on the sweet spot of the bat. A hitter aspires to hit the ball very long or very hard, if not both. A good pitcher causes hitters to hit the ball short distances, generally on the ground, and with very little velocity.

It is much the same in tennis. How can a player hit shots the opponent will struggle to handle? How can a player cause her opponent to make more errors, or to hit short balls which can be turned into winners? How can a player turn a ferocious hitter into a hesitant, error-spraying machine who is completely off balance?

Variety — that’s how.

Not feeding pace — that’s how.

Angles — that’s how.

Taking the ball early to deprive the opponent of extra time in which to retrieve a shot — that’s how.

Agnieszka Radwanska, the queen of court craft, studied and developed those arts to near-perfection. Her low and deep knee bends enabled her to quickly and accurately redirect a screaming return of serve hit right at her. The quickness of the redirection deprived the opponent of time to reset after hitting that go-for-broke return. Radwanska turned her opponents’ power against them.

Radwanska realized better than most that on a tour loaded with powerful baseline hitters who loved the ball-on-a-string nature of traditional diagonal rallies and patterns, an ability to change speeds and create angles would get those hitters out of their strike zones. Radwanska used all of a ball to shape her shots. She used a fuller arsenal of speed variations and placements than most. She incorporated net play into her game more than most.

What was the result of this constant offering of variety? Radwanska made a lot out of a career which regularly lacked an imposing serve. To be more precise, few players in recent memory got more out of an assortment of tennis skills which did not include a particularly effective serve.

So many players — men in particular, but women as well — fit into the category of players who need their serve to be effective in order to win matches. A broader layer of players don’t necessarily need their serve to be great, but they do need to hit a very hard, flat assortment of groundstrokes in order to feel they are in control of a match. If their powerful shots aren’t finding the mark, they don’t have a Plan B.

Agnieszka Radwanska never ran into that problem. Despite a serve which constantly limited her margin for error, she attained World No. 2, battled Serena for a Wimbledon title, and produced an outrageously successful career.

This is how far variety can take a tennis player. Young tennis players can learn a lot from Aga.

If young players can learn an enormous amount from your career, your legacy in the larger run of tennis history is substantial.

This is what the name “Radwanska” will continue to mean 20, 30 and 50 years from now.

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Darren Cahill Writes a Story of Evolution and Elasticity

Matt Zemek

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Susan Mullane - USA TODAY Sports

Great coaches in any sport certainly have a few things in common, but when I compare tennis coaches to coaches in other sports, I usually keep coming back to basketball.

Why is this?

American-style football involves mass-scale organizational skills and a lot of delegating to assistants who help the operation go forward. This isn’t to say that delegating and teamwork aren’t part of tennis coaching staffs, but 53-man NFL rosters and 85-man college rosters are very different beasts compared to tennis player management.

Baseball gets into hands-on intervention in players’ situations. Managers must tightly manage pitch counts and engineer matchups within games. They are immersed in each game — their imprints are all over the little plot twists which comprise a baseball game in ways that tennis coaches aren’t, at least at the major-tournament level. American football, baseball, and also hockey are so much about who plays — and how often — and in what combinations. Those sports distance themselves from the solo-athlete arena of tennis.

Of the various team sports I study, basketball is the one which most closely resembles tennis in terms of the relationship between the coach and the athlete.

Like hockey, basketball is 5-on-5, but unlike hockey, basketball involves a much smaller rotation of players during a game, often less than half of the players who rotate in and out of a hockey game. When the NBA basketball playoffs arise, it is relatively common for only seven or eight players to play extended minutes (more than 20 in a 48-minute game). Yes, there is in-game coaching, unlike tennis. Yes, coaches are intervening in the action and trying to create favorable matchups, unlike tennis.

Yet, so much of the battle in basketball comes down to a coach’s ability to get the most out of one or two great players and find ways to build a small supporting cast around the superstar or two stars.

Is this not what Steve Kerr, for example, has done with the Golden State Warriors?

Mark Jackson, Kerr’s predecessor, had Stephen Curry, Klay Thompson, and Draymond Green on his roster in 2014. That team did not win a single playoff series. Kerr stepped in the very next year and won 67 of 82 regular-season games, giving Golden State the best record in the league and a world championship.

The talent was already there. It took a person to get through to those two shooters — Curry and Thompson — and enable Green to figure out how to blend with them. As soon as the right person arrived as a teacher, a very small group of athletes took off.

No, basketball isn’t a solo-athlete sport — it is a team game — but it comes very close to tennis in some ways.

With this being said, Darren Cahill — whose partnership with WTA No. 1 Simona Halep ended this past week due to a desire to spend more time with family — is in many ways the Gregg Popovich of tennis.

Why this comparison and not a comparison to other great professional basketball coaches in recent years?

Here is the explanation:

Popovich, the longtime coach of the San Antonio Spurs, has shown a constant ability to adjust to players… and enable players to adjust to situations. A few details shine through in Popovich’s career which magnify that statement.

Popovich won his first NBA title in 1999, his most recent in 2014, a 15-year span. He has therefore remained relevant and able to exist in the constraints of the present moment. Industries can and do change over 15 years, so an ability to adapt is an absolute necessity for high-quality longevity, as opposed to a short burst of three or four years when a coach simply has the best players and can ride that wave. Succeeding over 15 years requires something more. Popovich has shown that.

What emerges more precisely in Pop’s prosperous basketball journey is that he has mentored athletes in their very early years, their mid-career primes, and their late-career years.

Popovich coached a very young Tim Duncan to the 1999 NBA title. He coached Duncan as an old-man athlete to the 2014 NBA title. Duncan won that 2014 championship just after turning 38, which Roger Federer will turn next August.

Popovich coached a very young Tony Parker to the 2003 NBA championship. He was there with Parker 11 years later for the 2014 title run with the Spurs. Manu Ginobili was in his prime with the Spurs in 2003. He played until age 40 under Popovich’s guidance.

The one other particularly defining aspect of Popovich’s career is that he was able to win in different ways. The first four NBA championship teams Pop had with the Spurs were defense-first teams which focused on relentless pressure and robust effort in rebounding the ball. It’s not as though the Spurs de-emphasized rebounding or effort in the latter years of the Duncan-Parker-Ginobili trio, but they did become an offense-first team which played at a faster pace, tried to win games with scoring, and paid new attention to 3-point shooting. Pop readjusted his priorities and gave his aging players more freedom on offense, changing the way his team normally played. Basic principles didn’t leave the picture, but the change freshened the minds and bodies of the older Spurs, who continued to win large numbers of games and remained a foremost contender for NBA titles.

In these details, one can find some strong connections with Darren Cahill’s coaching career.

First of all, Cahill won a major title with Lleyton Hewitt at the 2001 U.S. Open. He won a major with Simona Halep at the 2018 Roland Garros tournament. That 17-year gap is similar to Popovich’s 15-year run with titles at both ends of that time span.

Much as Popovich won with very young, middle-aged (in an athlete’s terms, not a biological human being’s terms), and old athletes, Cahill did the very same thing. He won big with a young Hewitt. Then he won with an old, late-career version of Andre Agassi at the 2003 Australian Open. In 2018, he won with the 26-year-old Halep at the French Open, one year after guiding her to year-end World No. 1, which Halep replicated this season.

Cahill took on three very distinct challenges and met them all. It’s not so much that he won major titles with three different players; it’s that he won titles with three different players at three very distinct stages of experience and understanding. THAT is the more specific connection with Popovich which stands above everything else.

Another potent and important detail: Cahill won with players on both the ATP and WTA Tours. In that sense, he crossed a bridge from one form of tennis to another, akin to Popovich winning with one style in the first decade of this century and then with a noticeably different style in the second decade of this century. (The Spurs’ reinvention occurred in their 2010-2011 season.)

Richard Williams, Marian Vajda, Toni Nadal, Tony Roche, and Paul Annacone have won larger amounts of major titles as tennis coaches. That makes them a lot like Phil Jackson, who has won several more titles than Popovich. Jackson, though, hitched his wagon to superstars to win his titles: Michael Jordan with the Chicago Bulls, then Shaquille O’Neal and Kobe Bryant with the Los Angeles Lakers. Jackson won because he knew how to make use of the overwhelming athletic abilities of the men who were the best players in the NBA when in their primes. That applied to Jordan in the early 1990s, Shaq circa 2000, and Kobe in 2009 and 2010.

Popovich did have great players, but his great players were not takeover artists who physically dominated their opponents the way Jordan, Shaq and Kobe did. Popovich cultivated players who played blended games and had to problem-solve to succeed. That’s the Cahill way, which emerged in players who either weren’t very tall, couldn’t serve huge on a consistent basis, or both.

Hewitt’s rise to major-tournament glory at age 20 in late 2001 is — viewed through the lens of the Big 3 era — a relatively rare achievement. Agassi’s productive endurance and headline-generating resilience into his age-35 season felt like an astounding feat at the time. Cahill squeezed that out of Andre. The idea that Halep would ascend to the top of the sport and cement that rise with a major tournament championship was something plenty of tennis people always thought was possible, but no one could have known for sure. It wasn’t exactly — to borrow a basketball term — a slam dunk. Yet, Cahill got Halep over the threshold.

Cahill isn’t a wandering nomad the way Wim Fissette is. I compared Fissette to another basketball coach at Tennis With An Accent.

Cahill walked a lot of miles with a few players and enabled them to reach their potential. He won with youngsters and oldsters and athletes in between. He won at the very start of this century and was still winning in 2018 before he took this break from coaching.

Gregg Popovich set a very high standard in basketball. Darren Cahill’s coaching quality is worthy of a comparison with the sage of San Antonio.

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Svitolina and Stephens in Singapore — A Story of Belonging And Letting Go

Briana Foust

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Geoff Burke -- USA TODAY Sports

As the WTA celebrated its final year-end championship in Singapore, a new chapter seems to hover over the tour. After an era dominated by powerful offensive groundstrokes and larger-than-life personalities, the crystal ball vision of the future is becoming clearer for the WTA.

With the WTA rankings having only two 30-year-olds left in the top 20, experience has been replaced with newfound opportunity. Athleticism, shot selection, stamina, mental toughness, and counterpunching have emerged as essential weapons for the top 8 women. Aided by a WTA Finals court which is tailored to topspin and longer rallies, Elina Svitolina and Sloane Stephens emerged as the last finalists Singapore would showcase.

Svitolina and Stephens both emerged from round-robin play with 3-0 records, but their journeys to the final round were anything but secure. Svitolina and Stephens both qualified for the WTA Finals at the very last moment of opportunity. Normally in tennis, players hold their own fates in their hands in the race to the year-end championships. Yet Sloane Stephens almost singlehandedly kept Elina Svitolina out of the tournament by taking one of the last remaining wildcards into Moscow and leaving Svitolina to watch the results of Kiki Bertens and Karolina Pliskova to learn her fate. If Bertens and Pliskova had made the semifinals of the Russian tournament, then Svitolina’s only chance of participating in the finals would have been as an alternate.

So why exactly were these two on the borderline for Singapore? Well, among all of the qualifiers, they posted the lowest amount of match wins coming into the tournament. Svitolina had 39 wins and Stephens 33. Based on recent form, they would not have been the bettors’ favorites as the final two, either. Questions surrounded whether Svitolina could win matches, let alone go 3-0 against the best players in the world. She had fired her coach, there were physical fitness concerns, and there was also pressure to break through at one of the biggest events.

As told to Sport 360, Svitolina’s confidence was affected by the conversations around her 2018 season, but she wanted to use the last event of the year as testing ground for herself and the doubters.

“When I qualified for this tournament, definitely decided that I’m going to just go for it and, you know, I’m good enough, I’m going to trust my game, gonna trust myself,” she said.

Stephens also had a point to prove. She had never brought her full-flight brand of tennis to the Asian swing of tournaments. This year she won her first match during this part of the schedule in three years. In 2018, she showed frustration with those struggles and knew she could play better.

As told to Sport 360, “I think my biggest thing was obviously after the U.S. Open last year, everyone was, like, ‘Oh, she’s a one-hit wonder, she’ll never do anything again, it was just lucky, no one was playing, blah, blah, blah,’ and I think this season I was just like I really want to play a little more consistent, I want to have some better results in the bigger tournaments and just do better and show that I’m, you know, I’m a top-10 player or top whatever player.”

It is evident now that the tennis in Singapore was a secondary matter this week. What mattered the most for the two finalists was honing skills as competitors and proving to themselves that they truly belong.

It seems dissonant that Svitolina and Stephens, who have both won multiple times on the WTA’s biggest stages, feel like underachievers when they may be closer than perceived to establishing a new standard for this generation. Only time will tell, but if it is anything like this last final in Singapore on Sunday, how can you not be entertained?

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